fiction
Aversions, Ecotone (forthcoming)
Organ Recital, Room Magazine (forthcoming)
Forest School, storySouth (Finalist for Jesmyn Ward Prize in Fiction, 2023)
When You Receive the Notice to Policyholders Regarding the Liquidation of Your Insurance Company, Maudlin House (2023)
Domestic Specimens, Quarterly West (Prose Contest finalist, 2022)
Stubb’s, Hobart (2020)
Attention in the Terminal, Tilted House Review (2020)
Knife Skills, Wigleaf (2019)
Hashtag Date Night, Bridge Eight (2019)
Shared Plates, matchbook (2018)
Assassin, X-R-A-Y (2018)
The Takeover, Jellyfish Review (Wigleaf Top 50 longlist, 2018)
Shades of Undecided, The Same (2018)
Early Intervention, Okay Donkey (2018)
essays & reviews
A Review of It’s Not Nothing by Courtney Denelle, Barrelhouse (2022)
Visualizing Loneliness in Kristen Radtke's Seek You, Ploughshares (2021)
A Review of Fake Accounts by Lauren Oyler, New Orleans Review (2021)
Groomed for Compliance: On Erin Williams’s Commute, The Kenyon Review Online (2020)
The Gestation of Words: A Review of Sophia Shalmiyev’s Mother Winter, The Adroit Journal (2020)
The Crisis of American Motherhood: A Review of Sarah Menkedick’s Ordinary Insanity, PULP (2020)
I Used to Be Seventeen, Memoir Mixtapes (2019)
My First Cassette Single: “Stay (I Missed You)” by Lisa Loeb, Hobart (2019)
How to Spend a Literary Long Weekend in New Orleans, Literary Hub (2019)
An Open Letter to Gift-Givers of Noise-Making Toys, McSweeney’s Internet Tendency (2018)
Area of Concern, Lunch Ticket (2018)
Against Food, Mutha Magazine (2018)
RIP Gchat: A Eulogy for a Simpler Age of Internet Messaging, The Atlantic (2017)
poetry
Bonnie & Frances, Autofocus (2022)
Batture, Pidgeonholes (2022)
After Leaving Your Therapist a Voicemail, HAD (2021)
A new space for each day, Yes Poetry (2021)
two poems, HAD (2020)
two poems, Juke Joint (2020)
How do you write in public, Voicemail Poems (2020)
I’ve been trying to make crosswords, Off Menu Press (2020)
This what, ANTIGRAVITY Magazine (2020)
Lily of the Ergo, Trampoline: A Journal of Poetry (2020)